.
Wildness and wet .
Visit?
Heâs written his address in tiny writing along the top of the card, and a mobile number.
It doesnât take me long on the computer to track down Binsey, a place near Oxford, and another link takes me to a poem by Gerard Manley Hopkins, called â Binsey Poplarsâ , and then, another hop, to â Inversnaidâ and the line about wildness and wet . But I still donât know what heâs going on about.
And visit?
Me, does he mean?
I prop the postcard on my bookshelf, next to Evieâs whale. The picture is of something called the Radcliffe Camera, which is nothing to do with cameras actually, but a circular building made of stone, with a famous library inside. Theoâs drawn a stick man in one of the little windows, and an arrow pointing to it. T.F., reading .
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Miranda comes round after college, Friday afternoon, so we can plan the weekend. Our college tutor says weâve all got to start thinking about whether we are going to apply for university next year, and Mirandaâs wondering about visiting Edinburgh, for one of those Open Days that universities put on.
âAnd then it would be fine to email Jamie, wouldnât it? Without coming over too keen? Just friendly, seeing as I was going to be in Edinburgh anyway.â
It takes me a minute to catch up. âJamie?â
âThe guy I met on holiday. Whoâs a student in Edinburgh? Remember? Freya! Concentrate!â
âSorry, Yes, Only, I thought youâd moved on, you know, to Charlie.â
Miranda gives a hollow laugh. âWell, thatâs dead and buried. Heâs made that perfectly clear. Heâs married to his music.â
I laugh. âHe doesnât deserve you, anyway. He only wants an admiring audience. You donât want to be yet another groupie.â
âYouâve never said that before!â
âI know, well, you wouldnât have listened before.â
âSo? What do you reckon?â She gets up off my bed and turns on my computer on the desk in front of the window. She goes on her Facebook, to show me her holiday photos again.
Jamie looks nice enough. âWhatâs he doing at uni?â
âPhysics.â
âHmmm. Well, why not? You can but try. But donât actually stay at his place; get a room in the youth hostel. Just arrange to have coffee or something.â
âHow sensible you are, Freya.â
âOnly cos I care about you!â
âWhat about you? You going to visit some art colleges?â
âNo, I donât think so.â And then I see Theoâs card on my table and the words just come out of my mouth. âI might go to Oxford for a look around.â
âDead posh! You could check out Cambridge, too.â
âI donât know; maybe itâs a stupid idea. Way out of my league. Iâd have to get three As!â
âWhich you will.â
âItâs probably not my kind of place, anyway. I donât even know if you can do Art there.â
âWhich is why you have to go and see! Sorted. Now: tonight. Film first, then round to Tabbyâs place?â
We look at whatâs on at the multiplex. Miranda starts phoning round, to get everyone to come with us. I go downstairs to make us something to eat.
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It wasnât really a serious idea, when I first said it. But over the next days it begins to seem quite a sensible thing; something I might actually do. I look up the colleges and the trains to get there. I tell Dad and he starts waxing lyrical about Oxford â medieval buildings, all that history. So I write a postcard to Theo â I spend ages choosing which â I decide on a painting by Edward Hopper, called Nighthawks: gloomy and atmospheric, a single man at a bar at night.
Dear Theo, Iâm coming to Oxford second weekend in November for Open Day visits at Oxford Brookes and Ruskin. Suggest a café if you want to meet me on the Saturday some
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