you.â
The snake coils in my belly. This IS about Toronto. Itâs about your dad. His lies. His secret phone number.
I donât know that.
So tell them. If itâs not about that, what does it matter?
It matters because whatever I say will look bad.
Thatâs not your problem. Why suffer because of your dad?
Because heâs my dad!
But think what he may have done. The FBI doesnât break down doors for nothing.
Sure they do. They make mistakes. Like with Dadâs friend, Mr. Ibrahim. He got strip-searched at Newark coming back from the Hajj because of a mix-up with his name.
Who says there was a mix-up? Maybe he just got lucky.
No!
Have it your way. Ibrahim was innocent. They let himgo, didnât they? Your dadâll go free too, if heâs clear. Like he says, who needs privacy if thereâs nothing to hide?
I wonât snitch on Dad!
It wouldnât be snitching. The FBI knows everything. If they donât, they will. You wonât be giving them anything new.
âStop it! Leave me alone!â Oh god, I said it out loud.
The man swoops in behind me. âIf you know something and donât say it, youâre toast. Got that? If people die, youâll be an accessory to murder.â
âWhat?â
He squeezes my shoulders hard. âYou heard me, Sami. Youâll spend the rest of your life in jail.â
Save yourself! Save yourself!
The man whirls my chair around. He plants his hands on my arms. Sticks his nose in my face. His breath is hot, pores huge. âYou tell me, and you tell me now,â he hollers. âWhere is Tariq Hasan?â
âTariq Hasan? Whoâs Tariq Hasan?â
The man doesnât blink. âDonât play dumb.â His headâs big and boney, cheeks hollow, hair so cropped he might as well be bald. I should be shaking, but I canât. Iâm frozen.
The man relaxes his grip on my arms, grabs the chair behind him, swings it around between his legs, and squatson it. Heâs older than he looks. I can tell by the veins on the back of his hands, and the tight flap of skin under his chin. One thingâs for sure: Heâs important. Not like the others. No, this oneâs in a blazer and dress pants.
He leans forward. âI asked you a question, Sami,â he says evenly. âDonât make me ask it again. Where is Tariq Hasan?â
âI donât know who you mean. Really.â My voice is so light it could float through the ceiling.
The man reaches his arm toward the woman. She hands him a folder. He takes it without looking, pulls out an 8x10, holds it in front of my face.
Itâs shot from across a street. The guy in the center of the photo is in his early twenties. Heâs slouched against a wall between a shaded window and a short set of cement steps, wearing a loose, long-sleeved shirt that drops to mid-thigh and matching baggy pants pulled in at the ankle. Oh, and he has a sketchy beard, a skullcap, and a sandal on the foot thatâs pressed against the brick; and heâs smiling. Maybe heâs seen a friend. Maybe heâs thinking about a joke. Or maybe thatâs just how he is.
âThis is Tariq Hasan?â
âYou know him by another name?â the woman asks.
âI donât know him at all.â
The man looks right through me. He still hasnât blinked. Iâm surprised his eyeballs havenât cracked. If they had, he wouldnât notice. Heâs the kind of machine whoâd do one-armed push-ups on a busted elbow. I wonder if he has a wife. Or kids. I wonder what heâd do if strangers broke into his house in the middle of the night, threw his wife in a room, his son in the basement, and scared the living shit out of them.
He puts the photograph back in the file and pulls out another. âTake another look.â
Itâs a close-up of Hasanâs head. Heâs looking way up, like at something in a window. Or maybe heâs just
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