Blood Bound by Patricia Briggs

one in the entryway, or the small sitting room it led into, so we continued down the hall. One side of the hall had three doors with arched tops, all closed, but the other side opened into a very large, airy room with a high ceiling and recessed lights. The walls were covered with brightly colored paintings, some of them spanning floor to ceiling. The walls were painted a soft yellow shade that made it feel bright and cheerful even though there were no windows.
    The floor was made of dark clay tiles in a variety of reddish browns. Light, neutral-colored woven rugs were scattered about almost at random. Three couches and five comfy-looking chairs, all a rather startling shade of coral that somehow managed to blend into the rest of the southwestern feel, were set in a loose semicircle around a large wooden chair, that looked as though it ought to have been sitting in a gothic mansion, rather than surrounded by all the sunny colors of the room.
    Warren had started down the hallway, but I didn’t follow him. There was something about that chair…
    The wood was dark, but the grain looked like oak to me. It was covered with carvings, from the lion-paw legs to the gargoyle crouched on the top of the tall back. Each of the legs had a ring of brass about a third of the way up. The arms were made entirely of brass wrought with delicate-appearing vines and small flowers and thorns. On the end of each arm, one of the thorns stuck up in a sharp point.
    When I was almost close enough to touch the chair, I realized that I’d been sensing the presence of its magic even from the hallway—I just hadn’t known what it was. To me, magic usually feels like a tingle, as if I am immersing my skin in sparkling water. This was a dull, bass thrum, as if someone were beating a very large drum while I plugged my ears so I could feel it, but not hear.
    â€œMercy?” asked Warren from the doorway. “I don’t think that we’re supposed to be exploring.”
    â€œDo you smell this?” asked Ben from the level of my knee. I looked down and saw that he was crouched on all fours with his head extended and slightly cocked. He closed his eyes and took in a deep breath. “There’s old blood on that chair,” he said.
    I was going to ask him about it, but the first vampire entered. He was one I hadn’t seen before. In life he’d been a medium-sized man, Irish, by the red hair. His movements were stiff and graceful at the same time, reminding me of the way a daddy longlegs moves. The vampire brushed past Warren and walked across the room without looking at any of us. He sat down on a small bench I hadn’t noticed near the far wall.
    The vampire’s arrival seemed to answer any doubts Warren had, as he followed the vampire in and took proper bodyguard position to my right. Ben rose to his feet and stood just behind and to my left, so I was flanked by the werewolves.
    Over the next few minutes the rest of the seats in the room filled up with vampires. None of them looked at us as they came in. I’d have thought it was an insult, except they didn’t look at each other either.
    I counted under my breath, fifteen vampires. They made an impressive showing, if only in the expense of their clothing. Silks, satins, brocades in all shades of the rainbow. One or two wore modern business suits, but most of them were in period costume, anything from medieval to the present.
    Somehow I expected more dark colors, but I didn’t see any black or gray. The werewolves and I were underdressed. Not that I cared.
    I recognized the woman who had confiscated Samuel’s cross the last time I’d been here when she came into the room. She sat in one of the coral chairs as if it had been a stool, her back upright like a Victorian lady in a tight corset, though she wore an aqua-colored silk dress with rows of beaded fringe from the nineteen twenties that seemed oddly frivolous for her stiff bearing. I looked