I canât shut this program off!â
When Steadman turned to speak to Ava, he saw that she had walked a little distance to where the women and children had gathered. He joined her there, noticing how the women were touching her, appealing to her forâwhat? Medicine, perhaps, some sort of handout. The old man wandered over, scraping his feet in the dust, feeling his way from shoulder to shoulder.
âThey all have drizzling colds,â she said, and touched the nearest ones. âThis one has a low-grade infection. Look at this kidâs shin. The sore is so deep it has eaten into the muscle. This old man could lose his eyesâhe needs an antibiotic. Heâs rubbing them, for Christâs sake.
No toca, no toca
.â
âThe
paje,â
Nestor said. âHimaro. The brother.â
âHeâs also a shaman,â Steadman said.
Don Pablo now appeared again. He wore a smock and a crown woven of slender vines and a row of stiff feathers. His eyes were wounded too, one weepier than the other, which was bloodshot and turned inward. The ailment made him seem more of a brother. Yet the shaman had a clumsy agility, and while he was anything but deft, his gestures were the more effective for being approximate, commanding attention and asserting control through his show of clumsiness. The Secoya near him were watchful in a shy, respectful way, giving him room as the old man worked his fingers like antennae, positioning them as though he had eyes on his fingertips.
Nestor signaled for them to follow when the old man turned and shuffle-kicked toward the stamped and smooth center of the village, where there were pots and baskets. Before the smoky fire were logs arranged like benches.
âSit down. Have a cold drink.â
Hearing this, Hernán dragged the blue plastic cooler toward the log, opened it, and passed out cans of soda. The white visitors drank, looking exhausted in their crumpled clothes, while the Secoya stared, naked, saying nothing, the childrenâs noses dripping. Some men lying in hammocks humped and rolled over and, still horizontal, stared sideways at the strangers.
The pile of pots, the baskets of cut vine stems, the enamel bowls, on a shelved frame of lashed bamboo, suggested cooking, but nothing was on the boil. Near this paraphernalia some women knelt, grating manioc.
âThis would make a super credenza,â Janey said, gripping the bamboo frame. Then with a pitying smile she said, âBut I peeked inside one of those huts. You know, they donât accessorize at all.â
Irritably, Sabra said to Nestor, âAre we supposed to sleep here?â
âWeâre putting up hammocks, or you can find a space on that platform back there under the ceiba tree.â
âWhat about washing? What about eating?â Wood said.
âI was going to give you some of the background,â Nestor said. âThis is a spiritual thing, like religion and medical combined. There is so many aspects. Maybe you like to know?â
âYes, all,â Manfred said.
âSkip the background,â Hack said, lifting his elbows, creating space around him. âIâm going for a swim.â
âWe have manta rays in the river,â Nestor said. âHernán got stung by a ray and he was in his hammock for three months.â
Janey said, âWhat about din-dins? Iâm peckish.â
Nestor leaned over and worked his mustache at her, smiling in toothy incomprehension.
âHungry,â she said.
Nestor spoke in Secoya, and one of the woman grating manioc replied to him without looking up. Still pushing the stick of manioc against the grater, she called out. A childâs voice sounded from the direction of the big tree and the smoky hut, and within a minute two young boys hurried into the clearing with a pole through the handle of a large blackened stewpot. A girl followed, carrying tin bowls and spoons.
âWhat is it?â Janey
Joanne Fluke
Twyla Turner
Lynnie Purcell
Peter Dickinson
Marteeka Karland
Jonathan Kellerman
Jackie Collins
Sebastian Fitzek
K. J. Wignall
Sarah Bakewell