wasn’t ugly, or fat, and he was clean, dapper, and smelled good, even if María didn’t care to believe the rumors that he was a gangster of some sort.
AH, BUT HOW THINGS CHANGE. LETTING IGNACIO DO WITH HER AS he wanted and drowning afterwards in guilt, she eased her conscience by going to church, not just to confess her sins but to feel purified by the sanctity of the altar and the oddly comforting gazes of the saintly statues. As often as she asked herself, while kneeling in prayer on a stony chapel floor, Why Ignacio? she concluded that El Señor, in his mysterious ways, had placed him in her life for a reason. And if she felt sometimes that Ignacio didn’t really care about her—especially when they had gone out to a fancy place and he’d accuse her of chewing her food too loudly and eating like a goat, at least, while she was in his company, other men left her alone. As she’d tell her daughter one day, she needed him. Going anywhere in Havana by herself had become a nuisance, more so as she learned how to dress better and developed a taste for fancy clothes, as well as makeup and perfumes, which she had started using in the clubs. She could rarely go down the street without someone calling out or whistling at her, many a devouring stare attending María’s every step. But when she took walks with Ignacio holding her by the arm, few dared even to glance her way. With his proprietary air, he just looked like the sort you didn’t want to offend. (Men found ways of glimpsing her anyway—they’d look without seeming to look in the Cuban manner, a mirar sin mirar .) Whenever Ignacio happened to catch someone coveting María’s bottom, he’d stop dead in his tracks, excuse himself, and march over to have some words with her admirer.
She appreciated this vigilance but wished he could relax; his severity was sometimes hard to take. He may have been courtly and suave, but, as time went on, he also became quick-tempered, especially in his efforts to teach her things: how to cut food, how she should dress, never to look a man straight in the eye. His moods were sometimes awful, however, and if there was anything María sorely missed, it was the sort of tenderness she had known with her papito. He may not have taught her much of anything about good manners, and his drinking had made her crazy, but he, at least, had a gentle soul. She just missed that guajiro warmth, the sentimentality of his songs, the way her papito sometimes touched her face, but oh so softly, as if she were a flower.
Not so with el señor Fuentes, who rarely smiled and never seemed to feel compassion or pity for anyone. Poor people disgusted him. If lepers or blind men or amputees held out their hands begging for coins, a scowl of contempt exploded across his face. Once, when they were walking along Neptuno to a ladies’ haberdasher’s and she asked him, “But, Ignacio, why are you so hard on those people? They can’t help themselves, los pobres, ” he laid out his philosophy of life:
“María, you may think me harsh, but when you’ve come up from nothing, the way we both did, you learn quickly that the only person worth looking out for is yourself, and maybe your family, if they actuallygive a damn for you.” He turned a deep, frightening red. “And so what if I give those unfortunates a few centavos? How the hell is that going to change a thing for them in the long run?”
“But if you give them a little money, then at least they can have something to eat,” María said, while thinking about the poor children she saw all over the city who begged for pennies. “Isn’t that the right thing to do?”
“The right thing?” he said, laughing. “I’ll tell you what, María.” And he reached into his jacket pocket for his wallet, pulling a ten-dollar bill out. “This was going to pay for your hat, but, what the hell, let me just give it to that fellow over there, okay?”
Marching over to some unfortunate— un infeliz
AH, BUT HOW THINGS CHANGE. LETTING IGNACIO DO WITH HER AS he wanted and drowning afterwards in guilt, she eased her conscience by going to church, not just to confess her sins but to feel purified by the sanctity of the altar and the oddly comforting gazes of the saintly statues. As often as she asked herself, while kneeling in prayer on a stony chapel floor, Why Ignacio? she concluded that El Señor, in his mysterious ways, had placed him in her life for a reason. And if she felt sometimes that Ignacio didn’t really care about her—especially when they had gone out to a fancy place and he’d accuse her of chewing her food too loudly and eating like a goat, at least, while she was in his company, other men left her alone. As she’d tell her daughter one day, she needed him. Going anywhere in Havana by herself had become a nuisance, more so as she learned how to dress better and developed a taste for fancy clothes, as well as makeup and perfumes, which she had started using in the clubs. She could rarely go down the street without someone calling out or whistling at her, many a devouring stare attending María’s every step. But when she took walks with Ignacio holding her by the arm, few dared even to glance her way. With his proprietary air, he just looked like the sort you didn’t want to offend. (Men found ways of glimpsing her anyway—they’d look without seeming to look in the Cuban manner, a mirar sin mirar .) Whenever Ignacio happened to catch someone coveting María’s bottom, he’d stop dead in his tracks, excuse himself, and march over to have some words with her admirer.
She appreciated this vigilance but wished he could relax; his severity was sometimes hard to take. He may have been courtly and suave, but, as time went on, he also became quick-tempered, especially in his efforts to teach her things: how to cut food, how she should dress, never to look a man straight in the eye. His moods were sometimes awful, however, and if there was anything María sorely missed, it was the sort of tenderness she had known with her papito. He may not have taught her much of anything about good manners, and his drinking had made her crazy, but he, at least, had a gentle soul. She just missed that guajiro warmth, the sentimentality of his songs, the way her papito sometimes touched her face, but oh so softly, as if she were a flower.
Not so with el señor Fuentes, who rarely smiled and never seemed to feel compassion or pity for anyone. Poor people disgusted him. If lepers or blind men or amputees held out their hands begging for coins, a scowl of contempt exploded across his face. Once, when they were walking along Neptuno to a ladies’ haberdasher’s and she asked him, “But, Ignacio, why are you so hard on those people? They can’t help themselves, los pobres, ” he laid out his philosophy of life:
“María, you may think me harsh, but when you’ve come up from nothing, the way we both did, you learn quickly that the only person worth looking out for is yourself, and maybe your family, if they actuallygive a damn for you.” He turned a deep, frightening red. “And so what if I give those unfortunates a few centavos? How the hell is that going to change a thing for them in the long run?”
“But if you give them a little money, then at least they can have something to eat,” María said, while thinking about the poor children she saw all over the city who begged for pennies. “Isn’t that the right thing to do?”
“The right thing?” he said, laughing. “I’ll tell you what, María.” And he reached into his jacket pocket for his wallet, pulling a ten-dollar bill out. “This was going to pay for your hat, but, what the hell, let me just give it to that fellow over there, okay?”
Marching over to some unfortunate— un infeliz
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