Away From Her by Alice Munro Page B

parents, how they had been together for forty-five years, and how sometimes, as his mother washed the dishes, her husband would approach her as she worked, slip his arms around her waist and lightly kiss the back of her neck. He thought that this endurance was the definition of love, not that initial insanity. If something remained, some inexplicable, intangible thread managed to stay unbroken, after the betrayals, the hurt, and the disappointment that any marriage must surely endure, then that was what he was willing to concede must be love.
    Finding this the most boring, unromantic, staid portrait of the thing, I bid him adieu and ran into the arms of the next nightmare I could find. We stayed friends, but the friendship was fraught with hurt and abandonment, more obviously for him, but for me too.
    And so, much of my time in Iceland was spent negotiating an impossible and uncompassionate relationship with someone else, someone with whom I could see no future, and which caused much harm to other people.
    Over the next few years, I kept coming back to “The Bear Came Over the Mountain,” again and again. I couldn’t shake the sound of Grant and Fiona’s private jokes, the sinking, sick feeling ofGrant’s guilt, the absolute tenderness between two people who have and are in various ways failing each other and simultaneously doing everything they can. I couldn’t stop thinking about Fiona’s tender use of the word “forsaken” and how ironically and genuinely she says it to him. I couldn’t stop seeing Grant as he “skied around and around in the field behind the house as the sun went down and left the sky pink over a countryside that seemed to be bound by waves of blue-edged ice,” and the eloquent, wintry canvas that serves as the backdrop for their marriage and their loss and discovery of it. I had thought, when I’d finished reading it the first time, that with all of this fictional marriage’s failures, this was perhaps not the greatest love story I’d ever read, but the only love story I’d read. I made no connection between what David had said and my experience of the story, but it stayed with me in such a potent, visceral way, and despite the dust of melodrama I was kicking up around me in my own life, I couldn’t get free of its clarity.
    Something in me needed to live inside this story. I think now that it somehow lived in my subconscious for those years, and unhappy as I was in the life I had chosen for myself, I think it was my way of returning, again and again, to the idea of a life with David.
    All I knew then was that “The Bear Came Over the Mountain” had raised important questions for me, and I needed to take a good long walk around it and inside it to find out what exactly the natures of those questions were. The way I articulated all of that at the time was simply that I had to make a film out of it.
    At around this time, my grandmother’s health starting fading. She was finding that the day-to-day struggle of living alone was becoming too much for her, and as her memory began reforming itself, she began to forget basic facts of her own history, glom-ming onto passages and songs from a lifetime ago that had an elusive relevance she couldn’t finger. Once, as I sat with her at her kitchen table, looking out the high-rise window at the suburban streets below, she said, out of nowhere,
“I see the lights of the village gleam
through the rain and the mist
And a feeling of sadness comes o’er me
that my soul cannot resist
A feeling of sadness and longing,
that is not akin to pain
But resembles sorrow only,
as the mist resembles the rain.”
    The look on her face as she recited this verse was one I’d never seen. I longed to know the time and thecontext in which she’d learned these lines. Whatever association she made with it seemed unfathomably sad and not of the present moment, but though her emotional memory of it was vivid, I think she was truthful when she answered that she