incessantly since she and Otto left their suite. Discussing how they slept, asking him how he’s adjusting to the human body, commenting on the carpet in the halls and the smoothness of the elevator ride… How awesome is this? You don’t even feel like it’s moving. She has read the menu to him, given her opinion on the décor of the restaurant and told a long story about living among the Tongvas before the arrival of the Spaniards, when the Los Angeles area was called Yaa. Through all of this Otto has, at best, only half-listened. He knows Remedios well enough to know that her aim is not to communicate or even entertain, but to distract. And in this, of course, he is two-hundred-percent correct. Every minute spent in the hotel is a minute when Otto may figure out what she’s done. She wants to lull (or bore) him into a pliable state where she can get him to leave. She doesn’t like the way he keeps looking behind her; she should have sat facing the door. But it hasn’t yet occurred to her that Otto is a lot smarter than she has given him credit for.
“You know, I was thinking,” Remedios says now. She stabs another hunk of blueberry pancake with her fork. “Why don’t we drive back to Jeremiah after all? We can take the scenic route. You know, through one of the national parks? All those old-growth trees and majestic mountains…”
Otto sips his coffee. “Does this mean you’re planning to leave me in the wilderness?”
“Well, pardon me for trying to do something nice to make up for the plane.” Remedios wipes syrup from her chin. “I thought you’d enjoy it.” She watches him cut a slice from his bagel – yet another thing about him that annoys her. “And who knows, Otto. Maybe you’ll be able to save somebody who’s about to throw themselves into a canyon. That should cheer you up.”
So she’s not going to leave him in the wilderness; she’s going to leave him up a mountain.
Otto chews the piece of bagel slowly and thoroughly, gazing past her head as though the best movie in the world is being shown on a screen behind it. “Um…” It isn’t a movie that he’s watching, of course, but Beth. She’s seated at a table near the door with several other Tomorrow’s Writers Today finalists. Beth looks as she always looks – plain and earnest in her grey slacks and prim white blouse, and as if she’s decided to jump from childhood straight into middle age. There’s a bowl of fruit salad (barely touched) and one of those foamy coffees (her second) in front of her. The others are all eating and talking, but Beth just pokes at her food and sits there as if she died smiling. Otto cuts another slice of bagel. Like a man a few seconds before discovering that there are sharks in the water, he senses that something’s wrong, but he doesn’t know what.
Remedios, meanwhile, is shovelling pancakes into her mouth and continuing to talk, her lips stained with berry juice and syrup dribbling towards her chin. “We might have to go a little out of our way, but I really think it’d be worth it.” Hundreds of miles in each direction out their way. Anything to lure him out of the hotel and away from LA. “We can see those, what do they call them? You know the ones I mean – those really big, old trees. You like trees.”
“Sequoias…” Otto wipes crumbs from his mouth with his napkin.
Across the room, Beth suddenly realizes that one of the girls at her table is calling her name.
“Look! Look at these trees.” Remedios shoves something in front of Otto’s face. There are sticky fingerprints on the casing. “They don’t grow trees like this any more.”
She’s finally got his attention. “What is that?” Otto stares down at the screen being held under his nose. On it is a picture of a redwood forest; excepting the smudges of maple syrup, the image is so vivid and sharp you can almost see the leaves rustling and hear the branches groan. “Is that one of those pad things?”
“Isn’t it
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