other, saying nothing that mattered, barely acknowledging each other. What substance there was, it came from Brenda, whose concern for the rituals of civilized life acted as a sort of adhesive and bonded them into a semblance of a family, which was important for Charlie, whose sense of excitement at this unfolding drama was tempered by the strain of living in a house of ghosts. Brenda held them together and Stella, meanwhile, sustained herself as best she could.
Eventually Edgar slipped off the front pages and then, with no fresh reports of him, the papers lost interest altogether. Gradually the hospital adjusted to his absence and the crisis softened into something approaching normal routine. The weather broke at last, and after weeks of hot dry sunshine it started to rain.
She stood at the drawing-room window watching a sudden shower of rain. After several minutes it turned to a light drizzle, which then gave way to a clearing of the clouds and the tentative reappearance of the sun. The garden glistened and shone. Everything seemed suddenly greener, more vigorous; but not for long. The clouds came back, the sky darkened, and again it rained. This changeable weather persisted for a few days, and we were soon talking about the summer in tones that said, Despite everything it had been glorious but it was over now and England could expect no better. Brenda went back to London, and Stella began to think about getting Charlie ready for school.
She says she never gave up hope. At no point did she turn from him in her mind. She never lost the feeling that he was with her. She had learned to trust him. There was no good reason why she should trust him, and that in a way was why she did; trust, and faith, and love, it seemed, were what they were because they were aroused and sustained regardless of reason,because they lay deeper than reason. She had no idea what was happening to him. My own guess was that he’d slipped into some shadowy London underworld of artists and criminals, but I couldn’t be more precise than that; I had quietly talked to everyone I knew who might have information, and to my frustration drawn a complete blank. I knew he would turn up eventually; my concern, of course, was that without treatment, without my guiding hand, he would form a relationship with a woman and his illness would blossom anew.
In an odd way my own intense preoccupation with Edgar’s whereabouts and welfare was mirrored in Stella: her sexual and romantic infatuation with him I later saw as a reflection, primitive and distorted, yes, but a reflection all the same, of my own solicitude for a sick man going untreated in what must have been a situation of great tension and uncertainty. She told me about those days, and I recognized in her experience something of my own. The evenings were the hardest, she said. Max would go to his study after dinner and she’d drift into the drawing room. When he went up to bed an hour or so later she didn’t go with him, she told him she wanted to read for a bit longer. She’d hear the bedroom door close, and that was her signal to put aside her novel and seriously fortify her drink.
The hours that followed were Edgar’s hours. She gave herself over to memories of their summer. She referred to her diary; she had not kept a written account, but by means of cryptic markings on particular days she could remember each meeting, and each act of love, as she called it. There was a way she found of holding an image in her mind as though it were cigarette smoke until she had entirely absorbed it, all the substance and meaning and feeling that were in it, and some images, she said, were more potent in this regard than others. In the cricket pavilion once, a few seconds after sex, he laid his head on her shoulder, and she listened to his breathing subside. Then he lifted his face, and she had no words for the expression in his eyes, no means of describing what it was they silently saidto each other during those
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