heat. There is a sharp pain at the pit of her belly, tangled somehow with the intense green all around her and with her closed eyes. Milia wakes up but she does not dare open her eyes. The heat encloses her and hot blood dribbles onto her thighs. She gets up and washes her thighs in cold water. She stuffs a towel between them and goes back to sleep.
Kharuf ish-shams , she named him. The sun lamb. He arrived ringed by a blue halo that gave off a strong light but his appearance took on different aspects. Sometimes he ran over her little body, which expanded to become an unbounded pasture. Or he might perch on her chest and nuzzle her shoulders. Once he buried his head in her neck. She was constantly fearful for her eyes. When the lamb was there, contrary to habit, she would wake up but shut her eyes.
The little lamb vanished when the embryo began to form in her belly. He would not reappear until the end of December 1947 as Milia listened to the doctor’s voice telling her to push as she went into her long dreamsleep. That day the little lamb would reappear, leaving her with emotions of longing and fear so strong that they overpowered her caution: she forgot that she must keep her eyes closed to shield them from the lamb’s tiny mouth. And so she tried to open them, before the white wool covered them completely, tracing blue halos around them.
The man sleeping at her side was breathing deeply, the sound of it interrupted at intervals by a light whistling in his nose. She rubbed the traces of the journey through the heavy fog from her eyes and tried to collect her memories.
Milia did not know this man. Rather, she knew him but only as her future husband. The tale of passion Mansour lived had skimmed over her without leaving its impress. When, on the evening before the wedding, he related parts of the story to her, she felt she had missed the only story worth living.
He came the evening before the wedding when no one was expecting him. According to custom a bridegroom is not in evidence that day. He spends the evening with his pals at a goodbye-to-bachelorhood party, which is what they call the last sordid fling the groom allows himself before entering the straitjacket of marriage. But Mansour was not like that – not because he was an extraordinarily well-behaved fellow but because he had no such friends in Beirut. Mansour showed up at the Shahin family home on that cold December evening in order to make apologies for his family, who were not able to come to the wedding because of the accumulating troubles in Palestine. He expressed their wish that the bride’s family would not postpone the festivities. Musa was sitting in the dar with his mother and the unexpected guest while Milia stood in the kitchen making the coffee. Musa’s eyebrows knitted and the mother made no response. Bearing the coffee tray, Milia entered a profoundly silent room. She set the tray down on the table before the guest, poured the four cups from the little coffeepot, and said, as if continuing a sentence she had already begun, There’s no problem.
There’s no problem, repeated Musa.
Ala barakat Allah, said Mansour, his voice quavering, and he stood up to take his leave. The mother yawned and stood up to wish him goodbye.
Sit down, all of you, said Milia. Let the man drink his coffee, she said to her mother, tugging her by the arm until she sat down again.
Mansour sat forward on the edge of the sofa as if keeping himself tensed to leap up at any moment. He took a swallow of coffee. Sitting opposite him, Milia gazed at him as if she expected him to begin telling a story.
You know . . . Mansour’s voice trailed off.
I know, Milia responded. Things are not going so well.
That’s not what I meant to say, said Mansour.
The silence hung on them, broken only by Musa leaving the room. The oil lamp flickered. Milia wore a yellow dress. She supported her chin in her hands waiting to hear what the man would say. The mother slipped out of the room
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