stick.
Gumbril performed the introduction in more commonplace style.
âYou donât seem to take much interest in us, Mr Shearwater,â Myra called expiringly. Shearwater looked up; Mrs Viveash regarded him intently through pale, unwavering eyes, smiling as she looked that queer, downward-turning smile which gave to her face, through its mask of laughter, a peculiar expression of agony. âYou donât seem to take much interest in us,â she repeated.
Shearwater shook his heavy head. âNo,â he said, âI donât think I do.â
âWhy donât you?â
âWhy should I? Thereâs not time to be interested in everything. One can only be interested in whatâs worth while.â
âAnd weâre not worth while?â
âNot to me personally,â replied Shearwater with candour. âThe Great Wall of China, the political situation in Italy, the habits of Trematodes â all these are most interesting in themselves. But they arenât interesting to me; I donât permit them to be. I havenât the leisure.â
âAnd what do you allow yourself to be interested in?â
âShall we go?â said Bruin impatiently; he had succeeded in swallowing the last fragment of his hard-boiled egg. Mrs Viveash did not answer, did not even look at him.
Shearwater, who had hesitated before replying, was about to speak. But Coleman answered for him. âBe respectful,â he said to Mrs Viveash. âThis is a great man. He reads no papers, not even those in which our Mercaptan so beautifully writes. He does not know what a beaver is. And he lives for nothing but the kidneys.â
Mrs Viveash smiled her smile of agony. âKidneys? But what a
memento mori!
There are other portions of the anatomy.â She threw back her cloak, revealing an arm, a bare shoulder, a slant of pectoral muscle. She was wearing a white dress that, leaving her back and shoulders bare, came up, under either arm, to a point in front and was held there by a golden thread about the neck. âFor example,â she said, and twisted her hand several times over and over, making the slender arm turn at the elbow, as though to demonstrate the movement of the articulations and the muscular play.
â
Memento vivere
,â Mr Mercaptan aptly commented. â
Vivamus, mea Lesbia, atque amemus
.â
Mrs Viveash dropped her arm and pulled the cloak back into place. She looked at Shearwater, who had followed all her movements with conscientious attention, and who now nodded with an expression of interrogation on his face, as though to ask: what next?
âWe all know that youâve got beautiful arms,â said Bruin angrily. âThereâs no need for you to make an exhibition of them in the street, at midnight. Letâs get out of this.â He laid his hand on her shoulder and made as if to draw her away. âWeâd better be going. Goodness knows whatâs happening behind us.â He indicated with a little movement of the head the loiterers round the coffee-stall. âSome disturbance among the
canaille
.â
Mrs Viveash looked round. The cab-drivers and the other consumers of midnight coffee had gathered in an interested circle, curious and sympathetic, round the figure of a woman who was sitting, like a limp bundle tied up in black cotton and mackintosh, on the stall-keeperâs high stool, leaning wearily against the wall of the booth. A man stood beside her drinking tea out of a thick white cup. Every one was talking at once.
âMaynât the poor wretches talk?â asked Mrs Viveash, turning back to Bruin. âI never knew any one who had the lower classes on the brain as much as you have.â
âI loathe them,â said Bruin. âI hate every one poor, or ill, or old. Canât abide them; they make me positively sick.â
â
Quelle âme bien-née
,â piped Mr Mercaptan. âAnd how well and frankly
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