is a serious person and secondly is there on assignment. The man had done his best to laugh and then said, âYou must be joking, Mister Bavink.â
Then even Bekker had to laugh and call himself an idiot and say he was going to quit his job and sell his suit and smoke cigars with the money. Which of course he didnât do.
And Bavink had answered that he wasnât joking and the man was completely flummoxed. He couldnât sneer at Bavink because he had heard from well-known persons that Bavink âwas doing remarkably fine work.â
âSo I presume,â heâd said, and paused for a second and peered at Bavink through his pince-nez and then said again, âSo I presume that you put all of your seriousness into your work?â
âWhat would you have done then, Koekebakker, if it was you there?â The fellow had spoken with so much respect that Bavink had thought âWhat an absolute ass he isâ but didnât dare to say anything.
âYou know what I would have done, Bavink? I wouldâve asked if he wanted a smoke.â âThatâs exactly what I did too, and he said, âNo thank you, I donât smoke.ââ
The fellow talked like he was reading out loud from a newspaper. He understood perfectly well that Bavink did not want to talk about himself, he himself felt the same way, it is always rather unpleasant, but you simply canât always avoid it, you understand, life carries with it certain obligations and an artist (the guy really emphasized that word) more or less belongs among those who ⦠Then Bavink thought that he might as well say something that sounded like it was straight out of a speech too, so he said: âIndubitably.â The guy was taken aback. He was happy to hear that Mister Bavink shared his opinion with respect to this pointâguys like that always call these things âpointsââand as a result he took the liberty of asking Mister Bavink in all candor whether it was true what certain newspapers (he called them âjournalsâ) had printed, namely that he was, to a great degree, a great degree, indifferent to fame?
âJesus,â said Bavink, âthere I was, I thought if Hoyer was here heâd know what to say to him.â
âAnd what did you say?â
âI asked him: Is that what it said in the paper?â
âDonât you read the newspapers?â he said then, just like a normal person.
âIâll be damned,â Bekker said, âso he wasnât going to leave empty-handed after all. Now he can write in his little rag that Johannes Bavink never reads the newspaper.â
âThatâs what I thought too,â Bavink said. âNow heâs got his hands on something, now Iâll never get rid of him. He was already starting in with his notebook.â
âWhat a mess,â I said. âMess? You have no idea. What was I supposed to do then? How could I get rid of him? The longer he sat there the more room he took up. I saw him growing and spreading, he filled my whole studio and the whole street was full of the little men, everyone the three of us, Hoyer too, have seen for all these years on the street, everywhere, they were standing out on the street and I knew they were standing there. My studio looked at me like it didnât know me anymore, I wasnât Bavink anymore, I felt like I was Bekker with some factory owner on the phone.â âHey,â Bekker said. âThat can happen,â I said. âYou hear that, Bekker? I said that can happen. Itâs a lousy feeling. You know I feel sorry for you.â âHey,â Bekker said. We fell silent.
âYou know, Koekebakker, how at your last job you had to ask every evening before you could go home if the receipt was on the spindle?â
âSure.â
âAnd how every time you asked that you felt like you had muttonchop sideburns?â
âDefinitely.â âSo, it
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