chapter and verse, but Iâm not familiar with that one,â I confessed. âHold on.â I whipped out my iPhone, touched the Google icon and began tapping letters. After a few moments, I had the results. âJeesh.â
âWhatâs it say?â
I showed Alison the screen: Thou shalt not suffer a witch to live.
Iâd rarely seen rage bubble up so quickly. It started in Alisonâs shoulders, stiffened the tendons in her neck, reddened her cheeks and the tips of her ears then exploded from her lips. âWhatâs the matter with you people?â she shouted at the Stepford Wife who was holding the offending sign. âDonât have the balls to say it out loud? That is a threat ! Someone ought to report you to the police!â
Bailey grabbed his daughterâs arm and pulled. âCome on, girl.â
I lagged behind, staring at the object of Alisonâs anger, the woman with the headband, who stared back with about as much emotion as a mannequin in a shop window. âI honestly canât see your objection,â I told her. âAs a Christian, donât you believe in life after death?â
The woman didnât say anything at first, and I wondered if the guy standing on the milk crate had trained his minions to keep their mouths shut, no matter what the provocation, like the guards at Buckingham Palace. âAlf!â she shouted, to my utter astonishment. âYou got any brochures left in the boot?â
âWho is worthy to open the book and loose the seals thereof,â Alf proclaimed breathlessly from atop the milk crate. âTwo boxes of âem, girl . . . and no one in the heaven, or on the earth . . .â
âCome with me,â the young woman said. She propped the offending sign against the wall and led me around the corner to a car park and a dark blue vehicle so covered with window decals and bumper stickers that I would have been hard pressed to come up with its make and model.
TGIF â THANK GOD IâM FORGIVEN
ABORTION: 1 DEAD, 1 WOUNDED
I SAID, THOU SHALT NOT KILL. GO VEGETARIAN.
THE ROAD TO HEAVEN IS A ONE-WAY STREET
TEN COMMANDMANTS, NOT SUGGESTIONS
âThis your car?â I asked.
âNah. Itâs Alfâs.â She balled her hand into a fist and gave the lid of the boot a solid thwack. It popped open obediently, revealing a jumble of boxes, oily rags, jumper cables and empty one-liter beverage containers. She stripped the packing tape off one of the boxes, pried up the lid, and peered into its depths. âKeep it,â she said, and handed me a glossy brochure entitled WTL Guardians. The group was represented by a logo that superimposed images of a cross and a book over the rising (or it could have been setting) sun.
âWhat are you guardians of?â I asked, tucking the brochure into my handbag to read later.
âWay, Truth and Life,â she replied. âWTL. Get it?â
I got it. âWhatâs WTLâs problem with Susan Parker, then?â I asked.
âSâplains in the brochure,â she said, slamming the lid of the trunk closed. âMy nameâs Olivia Sandman, by the way. Whatâs yours?â
âIâm Hannah.â
âYou from Canada?â
âVancouver,â I lied. âWell, thanks for the brochure,â I said, patting the side pocket of my handbag. âIâll give it all the attention it deserves. Right now, though, Iâd better hurry to catch up with my friends.â
I hustled back up the hill, passed Oliviaâs colleagues, keeping my eyes down, and joined Alison and her father in the queue of early arrivals, snaking up the handicapped ramp toward the entrance doors. Eventually we were allowed into the lobby where we joined still another line waiting to be let into the theater proper.
To our right, groups of theater-goers clustered around long, cloth-covered tables selling Dead Reckoning: Season One DVDs, copies
Lindsay Buroker
Lillian Stewart Carl
LaShawn Vasser
Bella Love
John Rankine
LYDIA STORM
Kristen Ashley
Vernor Vinge
Sheri Whitefeather
Jesse Andrews