had recently been granted tenure in the English department at Rook University. Colin claimed to be misunderstood, but in fact she knew him very well. He was a good boy, but in danger of becoming like his father. And what else did she do? When it came down to it she couldnât think what she had been doing.
In the meantime, Charles turned the way they met into a dinner-party joke. It was her supervisor in food science who introduced us. Youâre studying the Browning Reaction? I said. Yes, she said, you know, to heat. Oh, I said, Brownings in Italy. No, she said, browning in turkeys. She could see Charles now, snorting
at his joke, tugging at his turtleneck. She should have stopped right there, at the Snowflake Do. But she had gone on with it, and the path had led here, to Tahiti, and this groping along the beach, looking for a sea cave where a long-dead writer might have had a rendezvous with a woman not his wife.
Soon they arrived at the edge of a garden where the trunk and limbs of a vast tree stretched along the ground like some great animal at leisure. Nailed to the tree was a sign in Tahitian. Tabu, the sign said, keep out, but not just in a trespassers will be prosecuted kind of a way. It was more sacred than that. Tabu was keep out or something will get you. Around about, thick banks of water fuchsia flourished unchecked in the humid air, the dark pattern of their leaves studded with scarlet flowers. Black crabs picked through the remnants of a balloon fish stuck on a fence post to dry, sidling sideways through a cloud of gnats. Penelope called ahead to Charles.
âI donât think we should go any further.â She pointed at the post. âThese crabs give me the creeps.â
âDo you like this garden, is it yours?â asked Charles.
âWhat?â she said.
âLowry, Under the Volcano.â
âOh, that. This looks like private property.â
âYouâre a bit scared, arenât you?â Charles tipped his hat back on his head. âMistah Kurtz, he dead,â he said.
âDonât mock me Charles.â
âMiss-tah Kurtz,â Charles said with more sibilance. Penelope turned her back.
âI heard you the first time,â she said.
âWhere are you going, Penn? Look, weâve passed the peak and hereâs the end of the cove. This has to be the place that Stevenson refers to in the poem. The cave must be just around the corner.â
âCharles, we have a plane to catch.â
âCome on Penny, be a sport.â
âIâll wait here for you.â
Penelope sat in the green gloom swiping at mosquitoes. Once they might have walked to Stevensonâs sea cave together. She would have laughed at Charlesâs obvious discomfort at having his trousers rolled up, he would have quoted somebody, and she would have thrown a piece of seaweed at him or threatened him with a crab. Now Penelope was glad that she would never find the sea cave, so that she would not have to hear the quotation with which Charles would adorn the view. Charlesâs mouth was a sea cave, with words rushing in and out of it, flecked with foam.
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Charles hit the steering wheel with the flat of his hand, gleeful and shouting over the diesel engine.
âMagnificent, it was magnificent,â he cried. âThereâs a hole in the cave roof, fringed with ferns. Itâs a natural pantheon. I stood there and recited the whole poem. The words just boomed and rolled about. Iâm more convinced than ever. No one in the world knows that Stevenson ever came here, except the two of us. Certainly not his precious Fanny. Hah!â
Penelope sat silently, submitting to the roar. Poor Fanny. She was tired and she wanted to get on the plane.
âLetâs see if thereâs anywhere to cut across,â said Charles.
They drove up into a new subdivision where the houses sat on red earth blocks gouged out of the mountainside. One big rainfall and the
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