Office Hours , caught up with him.
âHow do you like Connie Bennett?â Robert Leonard asked.
âSheâs a good kid.â
âI have them rewriting the ending. I think we need to find out what happens to her.â
âFine with me.â
Leonard looked relieved. He had been around since the silents, and felt lucky to still be working. The front office had assigned himto a Gable picture, which gave his career a desperately needed boost. Gable had been a Mae Murray fan, and seen all of Robertâs movies, so he readily agreed to have him direct After Office Hours.
âHey, Bob.â
Robert Leonard turned to face him.
âWhat happened in New York?â
âYou want the truth?â
âYeah.â
âMae and I started Tiffany Pictures, and things were going along well.â
âYou put out some good movies.â
âYeah, we did. But we couldnât make a baby. Somehow Mae put the failure of that on the little studio we started, and she eventually divorced me because she couldnât face me.â
âSo you came back.â
âIâm lucky they wanted me back,â Robert admitted.
âDonât ever say that, bud. Working in the studio is like pursuing a woman. You never want her to know how bad you need her.â
âIâll keep that advice in mind, Clark.â Robert went to his office.
Gable stopped at a water fountain. He was wearing jodhpurs, a white shirt, and his riding boots. He removed his partial plate from his mouth and rinsed it in the fountain.
Anita Loos, a petite brunette and the most popular screenwriter on the lot, walked by with her secretary.
âMr. Gable,â she greeted him.
âWhat do you think of the King of Hollywood without his teeth?â He popped the plate back into his mouth.
Anita laughed.
âYou writing anything new for me?â
âAlways. Iâm cooking up a little something for you and Miss Crawford.â
âThatâs always a yes from me.â
âI figured.â
Anita and her secretary watched as Gable walked away.
âIâve found religion,â Anita said.
âThe Church of Clark Gable?â
âAlready a member. No, Iâm taking up reincarnation. I want to come back in my next life and be whatever girl that man is sweet on. Itâll never happen in this go-round, but I want to die knowing itâs possible in the next. â
If the young people in the movie business werenât making pictures, they were going to them.
The Pantages Theater in downtown Los Angeles had a long line of eager customers that snaked around the block. A row of palm trees outside the theater was brightly lit with klieg lamps from the roots, which threw fingers of shadow across the boulevard.
Spencer Tracy pulled up on a side street next to the theater with a car load of girls. Loretta had convinced Spencer to take Alda, her sisters, and her to see a new blockbuster, It Happened One Night. They were piled into Spencerâs car like chocolates in a box.
âYou girls get the seats. Save me the aisle. I need an escape route.â
âAll the clamoring fans you want to dodge?â Polly joked.
âNo, I think I can handle the two of them. Iâm talking about the movie. If itâs a turkey, I take off. Iâm not a romance guy.â
âWe know,â Loretta joked. âHow do you feel about popcorn?â
âThe bigger the tub the better. And donât forget the butter.â Spencer reached into his pocket and handed money to Georgie. âI trust you with the funds.â
âI go free because Iâm only nine.â
âI knew I liked you.â Spencer reached across and opened the car door.
Alda smiled. She was beginning to feel like one of the Young sisters. They included her in everything from church to going out to restaurants to going to the movies.
âYou having fun?â Loretta asked Alda.
âCan you
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