miscellaneous pilfering one expects from the help.” Her blue eyes snapped like pompoms. “Just to prove I’m not unreasonable, I’ll take the chain off the driveway.” He paused as inspiration struck. “And, naturally, I’ll provide the uniform allowance.”
“Uniform!”
Oh, yes. Having her slink around his house in tight pants and seductive tops would be too much of a distraction. Just watching her put away groceries had tested his self-restraint: the stretch of those long legs, the four inches of rib cage that had shown when she’d reached for the top shelf. This was the downside of being male. His body didn’t recognize poison, even when his mind knew it was there.
“You’ll be a housekeeper,” he said. “Of course you’ll need a uniform.”
“In the twenty-first century?”
“We’ll discuss the details on your first day.”
She clenched her small, straight teeth. “All right, you son of a bitch. But you’re buying the dog food.”
“My pleasure. I’ll expect you tomorrow at seven.” He began to leave, but he still wasn’t quite satisfied. He needed to make absolutely certain she understood exactly how things would be, and he searched his mind until he found one last nail to hammer in her coffin.
“Let yourself in the back door, will you?”
C olin Byrne’s housekeeper! Sugar Beth stomped around the carriage house until Gordon got so aggravated he clamped his jaws around her ankle and refused to let go until he was sure she knew he meant business. She bent down to examine the skin, but he was too wily. “One of these days, fatso, you’re going to leave marks, and then you’re out of here.”
He lifted his leg and licked himself.
She stalked upstairs hoping a good long soak would calm her down. The bathroom had a claw-footed tub and a single window with a yellowed shade. She dropped her clothes on the old-fashioned black-and-white honeycomb tiles, clipped her hair on top of her head, and tossed some ancient lily of the valley bath salts in the water. As she settled in, she tried to look on the positive side.
She’d already combed every inch of the depot, the carriage house, and the studio, and she only had one place left to look. Frenchman’s Bride. There was nowhere else for Tallulah to have hidden the painting. But why hadn’t she removed it before Byrne had moved in?
Unless she’d been too ill by then.
Lincoln Ash had arrived in Parrish during the spring of 1954. Until then, he’d been living in a cold-water flat in Manhattan and hanging out with the equally impoverished Jackson Pollock at the Cedar Bar in Greenwich Village. The established art community had sneered at the work of “the dribblers,” as they tagged them, but the public had begun to take notice, including Sugar Beth’s grandmother, who considered herself a patron of the avant-garde. She’d agreed to provide him with room and board for three months, a studio where he could work, and a small stipend. In return, she’d have bragging rights as the first woman in northern Mississippi with her own artist in residence. Griffin had been sixteen at the time, and he loved telling people that he’d learned to smoke cigars and drink good whiskey from Lincoln Ash.
The water had nearly reached the rim of the tub, and Sugar Beth turned off the faucet with her foot. She thought of Frenchman’s Bride with its deep closets and odd-shaped cubbyholes. More enticing, the secret cupboard in its attic . . . Her grandfather had ordered it built “in case those fools in Washington ever decide to bring back Prohibition.”
Did Byrne know about that cupboard? Tallulah certainly had.
She wouldn’t consider his theory that Tallulah had destroyed the painting, but as she sank deeper into the tub, an equally alarming thought hit her. Byrne had bought the house. Did that include its contents? What if he owned the painting now? She knew nothing about property rights, and she couldn’t afford to hire a lawyer. If she found the
“Uniform!”
Oh, yes. Having her slink around his house in tight pants and seductive tops would be too much of a distraction. Just watching her put away groceries had tested his self-restraint: the stretch of those long legs, the four inches of rib cage that had shown when she’d reached for the top shelf. This was the downside of being male. His body didn’t recognize poison, even when his mind knew it was there.
“You’ll be a housekeeper,” he said. “Of course you’ll need a uniform.”
“In the twenty-first century?”
“We’ll discuss the details on your first day.”
She clenched her small, straight teeth. “All right, you son of a bitch. But you’re buying the dog food.”
“My pleasure. I’ll expect you tomorrow at seven.” He began to leave, but he still wasn’t quite satisfied. He needed to make absolutely certain she understood exactly how things would be, and he searched his mind until he found one last nail to hammer in her coffin.
“Let yourself in the back door, will you?”
C olin Byrne’s housekeeper! Sugar Beth stomped around the carriage house until Gordon got so aggravated he clamped his jaws around her ankle and refused to let go until he was sure she knew he meant business. She bent down to examine the skin, but he was too wily. “One of these days, fatso, you’re going to leave marks, and then you’re out of here.”
He lifted his leg and licked himself.
She stalked upstairs hoping a good long soak would calm her down. The bathroom had a claw-footed tub and a single window with a yellowed shade. She dropped her clothes on the old-fashioned black-and-white honeycomb tiles, clipped her hair on top of her head, and tossed some ancient lily of the valley bath salts in the water. As she settled in, she tried to look on the positive side.
She’d already combed every inch of the depot, the carriage house, and the studio, and she only had one place left to look. Frenchman’s Bride. There was nowhere else for Tallulah to have hidden the painting. But why hadn’t she removed it before Byrne had moved in?
Unless she’d been too ill by then.
Lincoln Ash had arrived in Parrish during the spring of 1954. Until then, he’d been living in a cold-water flat in Manhattan and hanging out with the equally impoverished Jackson Pollock at the Cedar Bar in Greenwich Village. The established art community had sneered at the work of “the dribblers,” as they tagged them, but the public had begun to take notice, including Sugar Beth’s grandmother, who considered herself a patron of the avant-garde. She’d agreed to provide him with room and board for three months, a studio where he could work, and a small stipend. In return, she’d have bragging rights as the first woman in northern Mississippi with her own artist in residence. Griffin had been sixteen at the time, and he loved telling people that he’d learned to smoke cigars and drink good whiskey from Lincoln Ash.
The water had nearly reached the rim of the tub, and Sugar Beth turned off the faucet with her foot. She thought of Frenchman’s Bride with its deep closets and odd-shaped cubbyholes. More enticing, the secret cupboard in its attic . . . Her grandfather had ordered it built “in case those fools in Washington ever decide to bring back Prohibition.”
Did Byrne know about that cupboard? Tallulah certainly had.
She wouldn’t consider his theory that Tallulah had destroyed the painting, but as she sank deeper into the tub, an equally alarming thought hit her. Byrne had bought the house. Did that include its contents? What if he owned the painting now? She knew nothing about property rights, and she couldn’t afford to hire a lawyer. If she found the
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