Adam Haberberg

Adam Haberberg by Yasmina Reza Page A

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Authors: Yasmina Reza
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to switch off the ceiling light, a pointless gesture, since he's not troubled by the light, a misguided solicitude, that both touches and irritates him. Instead of saying, It's nothing, Marie-Thérèse, why not admit everything, and even lay it on a bit thick to alarm her, what's the point of holding things back with this phony decorum that's already been undermined by his knitted brow, the Veinamitol, and his pathetic hand pressed to his eyelids, why not create a bit of atmosphere and say, Marie-Thérèse I have a serious genetic defect, at any moment, in any part of my body, one of the blood vessels could become blocked, even as I speak, I already have a thrombosis of the eye that is complicated by glaucoma, it might occur in my heart or in my brain, before the end of our evening together I could, for example, be struck down by a heart attack, and whether you switch your ceiling light on or off, Marie-Thérèse, makes no difference. The same goes for your essential oils, my poor Marie-Thérèse. I bear you no ill will but I hope you can gauge how ridiculous it was to recommend oil of garlic to me. Oil of garlic to a man with
hyperhomocysteinemia!
My wife, Irene, also urges miraculous brews on me. In her casenot from ignorance, but from malice. Internal lotions for the venous system, prescribed by the girl who waxes her legs. Irene cannot tolerate my whining. She's the one who talks about
my
whining. As if I whined all the time, which isn't true, or which may have become true owing to the fact that, never having known the solace of any kind of tolerance in her, I've ended up emphasizing my complaints, even dramatizing them, in the paradoxical hope of being taken seriously, of melting the other, arousing her compassion. It's true that with my wife, Irene, I exaggerate my suffering and in a general way always have done, whatever my ills were, but I did it to attract her to me and that was a great mistake, Marie-Thérèse, because suffering cannot be communicated, any more than the sense of rejection, which is also called loneliness, can be, any more, which is worse, than grief can be, indeed I'm forced to wonder what can be communicated. Until now I've never had anything serious. All kinds of ills, yes. More or less everyday ills, yes. But nothing serious. I didn't tell you in the Wrangler, Marie-Thérèse, but my father had cancer of the colon. A cancer of a hereditary type, apparently. I'd come to accept the idea of cancer of the colon. My hypothetical worst case, since you need to have one, was the colon. The day I had a polyp-freecolonoscopy I told myself, you're in the clear, nothing can happen to you. A little colonoscopy once every five years and you've nothing to worry about. One morning, Marie-Thérèse, I wake up, I have a flickering sensation in my left eye, I cover the other eye with my hand, and I become aware that my vision's blurred. I say to Irene my vision's blurred, she replies that's all we needed. I say to Irene the sight in my left eye's all hazy, she replies it's a speck of dust, it'll pass. Two days later I tell her I have a thrombosis, she sighs and says that's the last straw. The beautician's lotion is a thick, revolting concoction with a base of virgin vine, concentrated silica, and, I read on the label, because whereas you read instructions for electrical household appliances from start to finish, Marie-Thérèse, I read the labels on medicines from start to finish, of
witch hazel.
Witch hazel? I timidly dared to ask a woman who is, after all, a project leader at Issy-les-Moulineaux, a space communications buff. Witch hazel, that's right, she replies with an impatient shrug. You've swallowed far worse in your life. Where was I, Marie-Thérèse? What was I saying? You're lighting a candle on the table, we've gone back into the living room, I see, I'll go wherever you want, I'll sit wherever you want, the kitchen, the living room, it doesn't matter. The pathways I love, thetrails that twist and turn who

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