sweetened the palate after a long night’s sleep and provided a quick boost of energy. It was usually served in an intimate setting—breakfast in the boudoir. The host and hostess and their guests would exchange greetings and the first few tidbits of gossip before the morning mail was brought in. Plans for the day would be laid out. After the toilette, much of which was taken up by elaborate hairdressing in the case of the ladies, the members of the household would reassemble outdoors for a brief walk around the perimeter of the garden. Upon their return they might gather in the drawing room to play cards until it was time for lunch, a rather elaborate meal that in the grander houses was usually prepared under the supervision of a French cook. Afternoons were taken up by social visits or a more formal promenade along the banks of the Brenta, an exercise the Venetians had dubbed
la trottata.
Often the final destination of this afternoon stroll was the
bottega,
the village coffeehouse where summer residents caught up with the latest news from Venice. After dinner, the evening was taken up by conversation and society games. Blindman’s bluff was a favorite. In the larger villas there were also small concerts and recitals and the occasional dancing party.
Giustiniana did not really look forward to any of this. As soon as she arrived at Le Scalette she was seized by worries of a logistical nature, wondering whether it would really be easier for her to meet Andrea secretly in the country than it had been in Venice. She looked around the premises for a suitable place where they could see each other and immediately reported to her lover that there was an empty guest room next to her bedroom. More important: “There is a door not far from the bed that opens onto a secret, narrow staircase that leads to the garden. Thus we are free to go in and out without being seen.” She promised Andrea to explore the surroundings more thoroughly: “I will play the spy and check every corner of the house, and look closely at the garden as well as the caretaker’s quarters—everywhere. And I will give you a detailed report.”
The villa next door belonged to Andrea Tron, a shrewd politician who never became doge but was known to be the most powerful man in Venice (he would play an important role in launching Andrea’s career). Tron took a keen interest in his new neighbors. As an old friend of Consul Smith, he was aware that the death of Smith’s wife had created quite an upheaval among the English residents. Like all well-informed Venetians, he also knew about Andrea and Giustiniana’s past relationship and was curious to know whether it might still be simmering under the surface. He came for lunch and invited the Wynnes over to his villa. Mrs. Anna was pleased; it was good policy to be on friendly terms with such an influential man as Tron. She encouraged Giustiniana to be sociable and ingratiating toward their important neighbor. In the afternoon, Giustiniana took to sitting at the end of the garden, near the little gate that opened onto the main thoroughfare, enjoying the coolness and gazing dreamily at the passersby. Tron would often stroll past and stop for a little conversation with her.
Initially Giustiniana thought his large estate might prove useful for her nightly escapades. She had noticed that there were several
casini
on his property where she and Andrea could meet under cover of darkness. But thanks to her frequent trips to the servants’ quarters, where she was already forming useful alliances, she had found out that Tron’s
casini
were “always full of people and even if there should be an empty one, the crowds next door might make it too dangerous” for them to plan a tryst there.
In the end it seemed to her more convenient and prudent to make arrangements with their trusted friends, the Tiepolos: their villa was a little further down the road, but Andrea could certainly stay there and a secret rendezvous might be
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