and the words grow more distinct.
â So what about the Budget then, eh? Terrible, wasnât it? â
The Budget. Ugh, noise. Outside noise. Noise of a world carrying on without me.
â But you wouldnât want to be chancellor, would you? No. You wouldnât want to be chancellor .â
Everything in me wants to turn back to my room, to get back into bed.
â Can you imagine? Cutting all those public healthcare budgets. You wouldnât dare fall ill, would you? â
No, come on, come on.
â â¦well, Iâm sorry, Chancellor, all these health cuts, you know? I canât afford to give you anything for constipation. Youâll have to stay full of crap. â
In the TV room the televisionâs broadcasting to an audience of empty chairs. Screen light switches upholstery now blue, now yellow, now white, now blue. Iâve gotten this far. I might as well sit and watch for a bit. I select the chair next to the big trunk of toys, pick a Rubikâs Cube off the top, rotate it uselessly in my hands.
â So whatâs the answer, eh? Youâre so good at budgets, I suggest you go back to number eleven and work it out with a pencil. Yes? â
There is loud laughter now, and I wince at the noise. They turn it up higher and higher these days.
â Thatâll help him budge it, wonât it, eh? â
Laughter.
Amber appears at the doorway, carrying two empty coffee mugs. I look up at her and smile.
âHiya.â
She peers at me from behind her hair, and I think for a moment that sheâs not going to acknowledge me, but she does, tentatively stepping in and looking at the screen.
âOn coffee duty?â
She doesnât reply but looks down at the mugs in her hands.
âIâve come to get myself a bit of culture.â
âOh, him. Yeah. I donât really like him.â
âThey always turn the audience up so loud.â
She smiles politely. Ugh. Such an old-man thing to say.
Weâre not such different ages. Twenty years. Twenty-two, -three. I just want to say to her, I understand you . I get what it is youâre trying to say. With your deep blue streak of hair and the way you dress . I mean, I want to turn to her and say, You, me, friends, yeah? Same, yeah?
But no. No, no.
You canât cling on to things like that.
âSorry to be a pain,â I say, âbut if youâre off to the machine, would you mind getting me a cup of tea? Iâd go myself, butââ
She clears her throat. âSure,â she says. âMilk and sugar?â
She disappears.
I flick through the channels for something a bit less full-on. News, news, panel show. What would Amber want to watch? I end up on one of the music channels and leave it at that. Turn it down to background.
She returns bearing two mugs. Deep red and deep blue. One says Humph on the side, and one says Albert .
âHumph,â she says.
âThanks very much.â I take it from her.
She retreats a few seats away and sits cross-legged, cradling the cup against her lips, propping her elbows on her knees. Green-and-black-striped tights.
âHave you got stuff to keep you busy out there?â I ask. âAll the waiting. Itâs draining.â
âIâve got some books. But itâs not really the best place to read. I canât concentrate.â
âNo, itâs hardly surprising, is it? You want to try playing Sheilaâs game.â
âWhatâs that, then?â
âWell, what you do, you go through the alphabet and think of a part of the body for each letter. Then you think of a story about that body part, like, say what is the best thing your fingers have ever done. The moment in your whole life when they were best used.â
My explanation grinds to a halt, and I think she must wonder what the hell Iâm talking about.
âAdrenaline,â she says brightly. âIâd start with A for adrenaline
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