A Thousand Acres: A Novel

A Thousand Acres: A Novel by Jane Smiley Page B

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Authors: Jane Smiley
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flashlight. “You know,” he said, “I’ve never figured out why they didn’t turn on the lights. There wasn’t anybody for miles around.” In the morning they gave him more steak and a couple of fried eggs, and drove him to the nearest blacktop. When he realized that he had forgotten his guitar, he tried to walk back to the ranch and got lost. That afternoon, one of the brothers found him trudging along, handed him the guitar, and drove him back to the blacktop. It was nearly dusk, and the only car to pass him was heading east, so he waved it down, and that guy drove him all the way to Des Moines. “When I got out of that car,” Pete said, “the guy touched me on the arm and said in a whisper that he hoped my chemotherapy was a success.”
    “Ha!” Rose exclaimed. We laughed the way we never did by ourselves, without Jess.
    “Listen to this,” said Jess, and he told about confiding to an American woman in a Vancouver saloon that he was evading the draft. She asked him to order her another drink, and when he lifted his arm to hail the waitress, he felt her poke him in the side. She muttered that she had a loaded gun, that her boyfriend had died in Vietnam, and that “if I didn’t say the magic word, she was going to kill me, so I waved off the waitress and I thought for a while, and I said, ‘Bullshit.’ She said, ‘That’s the magic word.’ She took whatever was poking me out of my ribs and then looked at me with a smile and said, ‘Why don’t I have a margarita?’ I ordered her a margarita, and I paid for it, too.”
    When he was sixteen, said Pete, and hitchhiking regularly between Davenport and Muscatine to rehearse with his group, he got picked up by a New York couple in a VW bus, with an Afghan hound and two cats. They had been on the road for eighteen months, living in the van. They asked him if he had ever seen any Jews before, “because we’ve been the first for about seventy-five percent of the people we’ve met.” The husband was writing plays about their travels for the street theater group they were going to found when they got back to New York, and one of the plays was called
The First Jews
. He asked Pete if he wanted to drop out of high school and go back to New York with them as a member of their company. They pulled over to the side of the road and smoked a joint with him, then the husband took over the driving, and the wife took him in the back, where the dog and cats were sleeping, and seduced him. Rose smiled all the way through this story, as if the carefree glow it cast originated partly in her as well as Pete.
    Pete was an aggressive Monopoly strategist, building houses and hotels every time he could, and letting his liquid assets drop dangerously low. He also managed to predict three times that he was going to land on Boardwalk in time to purchase it, and twice it was Boardwalk with a hotel on it that broke the back of his most threatening rival, once Jess and once myself. Pete definitely counted on winning. But Rose, by slowly and steadily accumulating money, buying properties only with a certain percentage of it and hoarding the rest, managed to move toward a million dollars without ever actually winning a game.
    One thing I noticed about these Monopoly nights was a shift in my feelings about Pete. It had been a long time since I’d realized what fun he was (when I mentioned this to Rose, she said it had been a long time since he’d had fun or been fun, actually), but it was more than that, more a realization that he had certain powers. Those nights he flexed them: he teased me; he charmed his daughters and included them in the game, even allowing them to decide strategy when his play was at a crisis; he topped Jess’s stories, and, in some ways, his style of telling them; he sang verses of songs, both familiar and obscure, that were entertaining, but best of all, appropriate, so that you had private realizations, sharp but silly to express, of how everything that was

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