great – or always as well-meaning – as the people around Covent Garden. Most times I worked there I’d get some idiot kicking my bag or trying to scare Bob. I could tell he wasn’t comfortable there: he’d curl up in a defensive ball and narrow his eyes to a thin slit whenever I set up there. It was his way of saying: ‘I don’t like it here.’
So after a few days, rather than heading towards Covent Garden as usual, Bob and I climbed off the bus and walked through Soho in the direction of Piccadilly Circus instead.
Of course, we hadn’t left central London - and the borough of Westminster - so there were still rules and regulations. Piccadilly worked in a similar way to Covent Garden; there were certain areas that were designated for buskers. This time I decided to stick to the rules. I knew that the area to the east of Piccadilly Circus on the road leading to Leicester Square was a good spot, specifically for buskers. So I headed there.
Arriving there with Bob, I picked a spot only a few yards away from one of the main entrances to the Piccadilly Circus tube station, outside the Ripley’s Believe It Or Not exhibition.
It was a really busy late afternoon and evening with hundreds of tourists on the street, heading to the West End’s cinemas and theatres. We were soon doing all right, despite the fact that people move so fast around that area, running down the tube entrance. As usual, they slowed down and sometimes stopped when they saw Bob.
I could tell Bob was a little nervous because he curled himself up even tighter than usual around the bridge of my guitar. It was probably the number of people and the fact that he was in unfamiliar surroundings. He was definitely more comfortable when he was in a place that he recognised.
As usual, people from all over the world were milling around, taking in the sights of central London. There were a lot of Japanese tourists in particular, a lot of whom were fascinated by Bob. I’d soon learned another new word for cat: neko. Everything was fine until around six in the evening, when the crowds really thickened with the beginning of the rush hour. It was at that point that a promotions guy from Ripley’s came out on to the street. He was wearing a big, inflatable outfit that made him look three times his normal size and was making big arm gestures encouraging people to visit Ripley’s. I had no idea how it related to the exhibits inside the building. Maybe they had something on the world’s fattest man? Or the world’s most ridiculous job?
But I could tell immediately that Bob didn’t like the look of him. I sensed him drawing in even closer to me when he first appeared. He was really unsure of the bloke and was staring at him with a look of slight trepidation. I knew exactly where he was coming from; he did look a bit freaky.
To my relief, after a while Bob settled down and seemed to forget about the man. For a while we just ignored him as he carried on trying to persuade people to step into Ripley’s. He was having some success, so he stayed away from us. I was singing a Johnny Cash song, ‘Ring of Fire’, when, for no particular reason, the promotions guy suddenly approached us, pointing at Bob as if he wanted to come and stroke him. I didn’t spot him until he was almost upon us, leaning down in his weird inflatable suit. And by then it was too late.
Bob’s reaction was instantaneous. He just sprung up and bolted, running into the crowds with his new lead trailing behind him. Before I could even react, he’d disappeared, heading towards the entrance to the tube station.
Oh shit , I said to myself, my heart pumping. He’s gone. I’ve lost him .
My instincts took over at once. I jumped up straight away and ran after him. I just left the guitar. I was much more worried about Bob than an instrument. I could find one of those anywhere.
I immediately found myself in a sea of people. There were weary-looking office workers heading down the tube at the
So after a few days, rather than heading towards Covent Garden as usual, Bob and I climbed off the bus and walked through Soho in the direction of Piccadilly Circus instead.
Of course, we hadn’t left central London - and the borough of Westminster - so there were still rules and regulations. Piccadilly worked in a similar way to Covent Garden; there were certain areas that were designated for buskers. This time I decided to stick to the rules. I knew that the area to the east of Piccadilly Circus on the road leading to Leicester Square was a good spot, specifically for buskers. So I headed there.
Arriving there with Bob, I picked a spot only a few yards away from one of the main entrances to the Piccadilly Circus tube station, outside the Ripley’s Believe It Or Not exhibition.
It was a really busy late afternoon and evening with hundreds of tourists on the street, heading to the West End’s cinemas and theatres. We were soon doing all right, despite the fact that people move so fast around that area, running down the tube entrance. As usual, they slowed down and sometimes stopped when they saw Bob.
I could tell Bob was a little nervous because he curled himself up even tighter than usual around the bridge of my guitar. It was probably the number of people and the fact that he was in unfamiliar surroundings. He was definitely more comfortable when he was in a place that he recognised.
As usual, people from all over the world were milling around, taking in the sights of central London. There were a lot of Japanese tourists in particular, a lot of whom were fascinated by Bob. I’d soon learned another new word for cat: neko. Everything was fine until around six in the evening, when the crowds really thickened with the beginning of the rush hour. It was at that point that a promotions guy from Ripley’s came out on to the street. He was wearing a big, inflatable outfit that made him look three times his normal size and was making big arm gestures encouraging people to visit Ripley’s. I had no idea how it related to the exhibits inside the building. Maybe they had something on the world’s fattest man? Or the world’s most ridiculous job?
But I could tell immediately that Bob didn’t like the look of him. I sensed him drawing in even closer to me when he first appeared. He was really unsure of the bloke and was staring at him with a look of slight trepidation. I knew exactly where he was coming from; he did look a bit freaky.
To my relief, after a while Bob settled down and seemed to forget about the man. For a while we just ignored him as he carried on trying to persuade people to step into Ripley’s. He was having some success, so he stayed away from us. I was singing a Johnny Cash song, ‘Ring of Fire’, when, for no particular reason, the promotions guy suddenly approached us, pointing at Bob as if he wanted to come and stroke him. I didn’t spot him until he was almost upon us, leaning down in his weird inflatable suit. And by then it was too late.
Bob’s reaction was instantaneous. He just sprung up and bolted, running into the crowds with his new lead trailing behind him. Before I could even react, he’d disappeared, heading towards the entrance to the tube station.
Oh shit , I said to myself, my heart pumping. He’s gone. I’ve lost him .
My instincts took over at once. I jumped up straight away and ran after him. I just left the guitar. I was much more worried about Bob than an instrument. I could find one of those anywhere.
I immediately found myself in a sea of people. There were weary-looking office workers heading down the tube at the
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