brass knocker to announce my arrival. Flakes of black paint sprinkle to the ground like confetti.
âWell, well, well, look who it is.â He frowns as he glances down at my tote bag, which is filled with a reporterâs notebook, pens, a digital voice recorder, and a small video recorder I bought in college, along with a mini tripod. âYou know Iâm not paying you extra for this, right?â
âJulie said sheâd pick up the tab for the gas.â
âAll this for some dinky newsletter?â
âIt isnât dinky. Apparently the subscriber list is huge. You should be thrilledâyour profile will be front and center.â
âDo I look like the kind of person who gets thrilled?â I stare at him blankly. âExactly,â he says. âCome onâletâs get to work.â
I follow Rick around the front of the house and continue onto a crushed gravel path, which leads to a converted barn adjacent to the main farmhouse. Like the main house, the outside of the barn is made of white clapboard and, also like the main house, appears to be falling apart. But as Rick slides open the thick, black barn door, the glint of stainless steel and bright lights catches my eye as the interior of the bakehouse comes into view. Glistening, rectangular stainless steel tables fill the room, which is lined with wire bakersâ racks, fancy ovens, proofing racks, and dozens of scales, scoops, and plastic tubs. Two mixers sit in the back corner, both so large I could fit inside the mixing bowl and still have room for a friend. There are baskets and barrels of flour and more mixing bowls than Iâve ever seen. And unlike the rest of the property, which seems to be on the verge of collapse, the inside of the barn is immaculate.
âWow, Rickâthis is amazing.â
âFor the amount it cost me, itâd better be. Iâll be paying off the loans on that oven until I die.â He points across the room to an enormous metal contraption that is attached to a wide chimney at the back of the barn.
âIs that a wood-fired oven?â
âYou bet your tits it is.â
Iâd rather not involve my tits in any of todayâs happenings. Frankly, when it comes to Rick, Iâd like to keep my tits to myself.
Rick gives me a quick tour of the bakehouse and a brief history of his business. He started Wild Yeast a decade ago, but before that heâd been baking for more than two decades, having spent time in France learning from many of the bread-baking greats: Lionel Poilâne, Bernard Ganachaud, Jean-Luc Poujauran. He has served his bread to four US presidents and two dictators, and in recent years, he has toyed with the idea of milling his own grain.
âBut unless a wad of cash drops from the sky, that ainât happening,â he says.
âI heard Green Grocers might start selling more local products. Maybe itâll be a windfall for you.â
âDoubtful,â he says. âAnd even if it were, Iâm in debt up to my eyeballs. Between the loans for this damn bakehouse and the bills for my wifeâs surgery, itâll take a freaking miracle to get me out of this hole.â
âI didnât realize your wife was sick.â
More to the point, I didnât realize Rick had a wife. That poor woman. Either she is some sort of masochist, or she is as batshit crazy as he is.
âShe isnât sick. The old cow needed a knee replacement. Iâve needed a hip replacement for years, but she got her surgery first. We lost our health insurance, so Lord knows when weâll be able to afford mine. I used to be a much nicer guy before my hip started hurting like hell.â
âAh,â I say. For the sake of humanity, someone get this man a hip replacement immediately.
âAnyway,â he says, âenough business talk. I thought you wanted to bake bread.â
âI do. Let me just . . .â
I pull out my video camera and tripod
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