âAnd how would you do it?â
She answered immediately, allowing the smoldering feeling in her belly to take control of her vocal cords before giving any thought to the words. âIâd scratch his heart out of his chest and stamp on it. Then Iâd gouge out his eyes.â
âOh,â Thornhollow said, after a pause. âThatâs . . .â He cleared his throat. âIt definitely serves to prove my point.â
Grace tightened her hands on her coffee cup. âForgive me, Doctor,â she said, the heat from her words lighting her cheeks a bright red. âI didnât meanââ
âNo,â he interrupted her. âDo not apologize. You did mean. You meant every word exactly as you said it. And no one, least of all me, will ever judge you for that.â
She looked down into the swirling dregs of her coffee, as the headache gained traction. âThank you,â she said.
âAs I was saying, your proposed actions illustrate my point very well. And now a second scenario. I want you to imagine that you need money. Youâre a poor girl on the streets and you may starve before the day is out. You see a well-dressed man on the corner in the dark of night. Youâre going to kill him and take his money. How will you do it?â
âI . . .â Graceâs voice faltered as she pictured the scene. Though she came from wealth, she understood desperation, and her mind picked over the imaginary scene.
âIâd pick up a brick, I suppose, or a rock. Iâd sneak up on him, hit him on the head, and take his wallet.â
âPrecisely,â Thornhollow said. âIn our first instance you have a personal connection to the victimâyour father. You are motivated by emotion and revenge. You commit the proposed crime with your bare hands, even mutilate his face in order to strip him of the power to look at you as heâs dying.â
âBut with the man in the alley I donât care,â Grace said, filling in the gaps on her own. âIâm killing him because I need his money, not because I want to hurt him. Itâs not . . . itâs not personal.â
Thornhollow nodded. âSpot-on. Falsteed was right to call you a quick study. Now, earlier I said that tonightâs murder was a simple one. Why?â
âBecauseââ
âWait,â he said, stopping her. âDonât be too hasty. Close your eyes and see.â
Grace did so, letting her mind slip back into the moments where sheâd stood immobile on the wet bricks, the rivulets of blood trailing past her shoes.
âHe was shot in the head,â she said, her eyes roving over where the body lay on the ground. âIn the face,â she corrected.
âAnd so?â
âSo . . . the killer probably knew him. They wanted to disfigure him.â
âNot only thatââThornhollowâs voice sidled into her reverieââbut the killer also wanted to be seen by attacking from the front. The killer wanted the victim to know who was taking his life.â
âThey knew each other,â Grace said, her eyes still closed while internally roving over the picture in her mind. âHe was married,â she said quietly, when she spotted the ring on his left hand.
âHe was,â Thornhollow agreed.
Her inner gaze left the body, traveled over the surroundings, lit only by the sputtering gas lamps and the feeble light streaming from the windows of the building the victim was killed in front of. âWhy was a married man at a pub in the dead of night?â she asked.
âWhy indeed?â
Grace opened her eyes. âYou searched his pockets,â she said. âWhy?â
âTo see if he was robbed. Which he was not.â
âSo a married man is shot in the face by someone he knows when leaving a pub in the middle of the night, but heâs not robbed,â Grace said. âHis wife killed him.â
âMy
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