A Little Lumpen Novelita

A Little Lumpen Novelita by Roberto Bolaño Page B

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Authors: Roberto Bolaño
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kind of movie again, he said it was to learn.
    “Learn what?”
    “Learn how to make love,” said my brother without looking at me.
    “Watching dirty movies isn’t going to teach you anything,” I said.
    “Don’t be so sure,” he answered in a hoarse voice that I had never heard before.
    His eyes were bright. Then he started to do exercises on the floor, sit-ups and other things, and for a second I thought he was going crazy. I shouldn’t be so hard on him, I thought. I said that maybe he was right and I was wrong — maybe he was on the right track. “Are you still a virgin?” he asked me from the floor. “I am,” I said. “Me too,” he said. I said that was normal at his age.
    The next night there was a new X-rated movie in the house. As we were watching it I fell asleep. Before I closed my eyes, I thought: I’m going to dream about this filth, but instead I dreamed about the desert. I was walking in the desert, dying of thirst, and on my shoulder there was a white parrot, a parrot that kept saying: “I can’t fly, I’m sorry, please forgive me, but I can’t fly.” He was saying this because at some point in the dream I had asked him to fly. He weighed too much (ten pounds at least, he was a big parrot) to be carried for so long, but the parrot wouldn’t budge, and I could hardly walk, I was shaking, my knees hurt, my legs, my thighs, my stomach, my neck, it was like having cancer, but also like coming — coming endlessly and exhaustingly — or like swallowing my eyes, my own eyes, swallowing them and at the same time trying not to bite down on them, and every so often the white parrot tried to help, saying: “Courage, Bianca,” but mostly it kept its beak shut, and I knew that when I dropped on the hot sand and I was dying of thirst it would fly, fly away from this part of the desert to another part of the desert, fly away from my expiring flesh in search of other, less expiring flesh, fly away from my dead body forever, forever.
    When I woke up my brother was asleep in his chair and the screen was a gray sea, gray and black stripes, as if a storm was approaching Rome and only I could see it.
    Soon I was going along with my brother on his video store forays. In the mornings, during school hours, while kids our age were in class or shoplifting or getting high or having sex for money, I started to visit the video stores in our neighborhood and the surrounding neighborhoods, at first with my brother, who was trying to find the lost films of Tonya Waters, a porn star he had fallen in love with and whose adventures he was getting to know by heart, and then alone, though I didn’t rent X-rated movies except when my brother had a special request, say for something featuring Sean Rob Wayne, who had worked twice with Tonya Waters and whose film career had thereby acquired a particular significance for my brother, as if anything that came into contact with Waters became automatically worthy of his attention.
    Without surprise I discovered that I liked video stores. Not so much the ones in our neighborhood, but the stores in other neighborhoods. In that sense I was different from my brother, who only went to the video stores that were near home or on the way between our house and the gym where he worked. Familiarity was a source of comfort for my poor brother.
    I, on the other hand, liked to try new places, plasticky sanitized stores with lots of customers, or dubious establishments with a single Balkan or Asian clerk, where no one knew anything about me. In those days I felt something that wasn’t quite happiness but that did resemble enthusiasm, wandering streets I had hardly ever been down and that invariably ran into Via Tiburtina or Trajan’s Park. Sometimes I went into a video store and spent half an hour or more scanning the shelves of video cases and then I would leave without renting anything, not because I wouldn’t have liked to, but because I had no money.
    Other times, throwing caution to

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