prostitution like that. You know that, right? You could pretty much arrest him or have him killed or whatever for being a sexual predator.â
âHeâs younger than me.â
âOh. Well then you have no case, sorry.â
Beckan rolls her eyes and cranes her neck further over the rope under her chin. In the afternoon sun, the city looks so much different from the last time she was up here, when everything twinkled with an imaginary magic. Now, everything is sharp, real, and almost comical in its smallness. It must be so easy to come into a city, to invade, to kill, when you see how small everything can really be.
He says, âThereâs something inside you, Beckan. I can see it. You have something. A spark.â
âItâs called glitter.â
He laughs. âAll of you have that. This is just you.â
âIâm the only girl. I know how these things work. It makes me look more special. Process of elimination. You know Scrap used to think he was interested in me? And I used to think I was interested in him? Just because we were the only ones not paired off.â
Piccolo says, âThere are a lot of soldierâs daughters and a lot of cute nurses up here and Iâm talking to you. What does that say?â
She looks away and rolls her eyes and feels so much different from when Scrap kissed her cheek. âThat you have a thing for fairies.â
He laughs. âThatâs not what makes you interesting. The fairy thing or the girl thing. They listen to you. And thatâs really interesting.â
âWho?â
âThe other ones. Scrap especially.â
âYou
are
a bad spy.â
âNah.â
âScrapâs our leader, no question.â
âThatâs not how it looks from up here.â
âYouâre reaaally far away, Piccolo.â
âThey listen to you. Theyâre careful with you.â
âIâm crazy. They think Iâll explode. Too much spark.â
âScrap wouldnât have gone down to the mines just now if youâd told him not to. Or he would have given up on that board game. Or believed you if you said Josha wasnât having a good day.â
âYou saw that?â
âI was hanging right there,â he says. â
Youâre
a bad spy.â
She flops back and laughs. Her legs slip down a little, her feet dangling in the air, and she feels dangerous and amazing.
âIs Josha okay?â Piccolo says, softly.
âNo.â
Piccolo is quiet for a minute, then he says, âAnyway, the little one. He was waiting for you to ask why he had to go ho around in the middle of the day, or to tell him where you were going, but you didnât and he wasnât about to push you. He tried to cheer you up a little and then he left you alone. Youâre in charge.â
âMaybe.â
âAnd Josha doesnât even come out without you.â
âHeâs not okay.â
âThe loud one. Cricket? He liked you, too,â he says. âThe one who used to come up here.â
âThe dead one.â
âSo he counts as dead.â
âItâs just . . . the easiest way to call it what it is.â And itâs so much easier than saying,
Yes, there have to be parts of Cricket somewhere but we canât find them
. So much easier than thinking about bones and fingernails calcified in a dead manâs stomach, the digested bits rotting in the stale air of the mines, the thousands and thousands of specks of glitter buried and blown who knows where, but not to Josha, not to any of them.
(Letâs just call it dead, okay?)
Piccolo squeezes her hand.
âWe donât even look for him anymore,â she says.
âWhy not?â
âBecause . . . itâs a whole city thatâs getting more and more cleaned up every day and heâs tiny bits of one fairy. Itâs impossible. And because . . .â
âBecause
Janet Mock
Michael Kogge
Jaide Fox
Veronica Sattler
Charles Baxter
Kiki Sullivan
Wendy Suzuki
Ella Quinn
Poul Anderson
Casey Ireland