for her. 'I know it's not what you're used to,' he said, still sounding embarrassed. She tried to catch his eye, but he was busy sorting through his duffel bag. She realized from his posture that he was ashamed of the house and what she must be thinking about him for growing up here. The room looked different in light of this, and Sara noticed how neatly everything had been arranged and the fact that the posters were hung equidistant, as if he had used a ruler. His house back in Grant County reflected this need for orderliness. Sara had only been there a few times, but from what she had seen, he kept everything exactly in its place.
'It's fine,' she assured him.
'Yeah,' he said, though not in agreement. He found his toothbrush. 'I'll be right back.'
Sara watched him leave, pulling the door shut quietly behind him. She took advantage of the situation and quickly changed into her pajamas, all the while keeping her eye on the door in case his mother walked in. Nell had not sounded exactly complimentary when she had talked about May Tolliver, and Sara did not want to meet the woman with her pants down.
Sara sat on the floor and went through her suitcase, looking for her hairbrush. She found it wrapped up in a pair of shorts and managed to remove her hair clip without tearing out too much of her curly, tangled hair. She looked around the room as she brushed her hair, taking in the posters and the various items Jeffrey had collected throughout his childhood. On the windowsill were several dried bones that had once been in a small animal. The bedside table, which looked homemade, had a small lamp and a green bowl with a handful of loose change. Track ribbons were scattered on a bulletin board, and a milk crate held cassette tapes with song titles typewritten neatly across the labels. Across from where she sat was a makeshift bookshelf of two-by-fours and bricks, stacked end to end with books. Where Sara had been expecting comic books and the occasional Hardy Boys, she found thick tomes with titles such as Strategic Battles of the Civil War and The Socio-Political Ramifications of Reconstruction in the Rural South.
She put down the brush and picked up the least intimidating-looking textbook. Flipping to the front, she found Jeffrey's name, followed by a date and course information. Thumbing through the pages, she saw where he had taken copious notes in the margins, underlining and highlighting passages that were of interest. Sara was slightly shocked to realize that she was completely unfamiliar with Jeffrey's handwriting. He had never left her notes or written lists in her presence. Contrary to her own cramped printing, he wrote in a beautiful, flowing script, the kind they no longer taught in school. His w's were impeccable, transitioning neatly into adjoining vowels. The loops on his g's were all the same identical pattern, as if he had used a stencil to make them. He even wrote in a straight line, not diagonally like most people did without a baseline to follow.
She traced her finger along his notations, feeling the indentation the pencil had made in the page. The words seemed almost engraved, as if he had gripped the pencil too tightly.
'What are you doing?'
Sara felt a flicker of guilt, as if she had been caught reading his diary instead of a textbook from long ago. 'The Civil War?'
He kneeled beside her, taking the book. 'I majored in American History.'
'You're just full of surprises, Slick.'
He winced at the name as he slid the book back into place, lining it up carefully so that it was flush with the others. A thin line of dust marked the exact spot. He pulled out a slim leather-bound volume. Gold letters stamped the cover, saying, simply, LETTERS .
'Soldiers wrote these to their sweethearts back home,' Jeffrey said, thumbing through the fragile-looking book, turning to a page he must have known from heart. He cleared his throat and read, '"My darling. Night comes and I lay awake, wondering at the character of the
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