heartily in spite of his financial difficulties, he turned the subject abruptly. "Where's John Milton?"
Mrs. Harkutt shaded her eyes with her hand, and gazed meditatively on the floor before the fire and in the chimney corner for her only son, baptized under that historic title. "He was here a minit ago," she said doubtfully. "I really can't think where he's gone. But," assuringly, "it ain't far."
"He's skipped with one o' those story-books he's borrowed," said Phemie. "He's always doin' it. Like as not he's reading with a candle in the wood-shed. We'll all be burnt up some night."
"But he's got through his chores," interposed Mrs. Harkutt deprecatingly.
It is to be regretted that in brilliancy, finish, and even cheerfulness of quality they were not up to the suggestions of the keys and keyboard. The most discreet and cautious effort on the part of the young performer seemed only to produce startlingly unexpected, but instantly suppressed complaints from the instrument, accompanied by impatient interjections of "No, no," from the girl herself. Nevertheless, with her pretty eyebrows knitted in some charming distress of memory, her little mouth half open between an apologetic smile and the exertion of working the bellows, with her white, rounded arms partly lifted up and waving before her, she was pleasantly distracting to the eye. Gradually, as the scattered strains were marshaled into something like an air, she began to sing also, glossing over the instrumental weaknesses, filling in certain dropped notes and omissions, and otherwise assisting the ineffectual accordion with a youthful but not unmusical voice. The song was a lugubrious religious chant; under its influence the house seemed to sink into greater quiet, permitting in the intervals the murmur of the swollen creek to appear more distinct, and even the far moaning of the wind on the plain to become faintly audible. At last, having fairly mastered the instrument, Phemie got into the full swing of the chant. Unconstrained by any criticism, carried away by the sound of her own voice, and perhaps a youthful love for mere uproar, or possibly desirous to drown her father's voice, which had unexpectedly joined in with a discomposing bass, the conjoined utterances seemed to threaten the frail structure of their dwelling, even as the gale had distended the store behind them. When they ceased at last it was in an accession of dripping from the apparently stirred leaves outside. And then a voice, evidently from the moist depths of the abyss below, called out,-
"Is any one down there? Is that you, Mr. Parmlee?" she called.
There was a pause. Some invisible auditor said to another, "It's a young lady." Then the first voice rose again in a more deferential tone: "Are we anywhere near Sidon?"
"Thank you," said the voice. "Can we land anywhere here, on this bank?"
Not a word had been spoken, but now the voices of the men rose freely together. Phemie listened with intense expectation. The explanation was simple. They were surveyors who had been caught by the overflow on Tasajara plain, had abandoned their horses on the bank of Tasajara Creek, and with a hastily constructed raft had intrusted themselves and their instruments to the current. "But," said Harkutt quickly, "there is no connection between Tasajara Creek and this stream."
The two men laughed. "There is NOW," said one of them.
"But Tasajara Creek is a part of the bay," said the astonished Harkutt, "and this stream rises inland and only runs into the bay four miles lower down. And I don't see how-
"Then there's a waterway straight to Tasajara Creek?" he said slowly.
"There is, as long as this flood lasts," returned the first speaker promptly; "and a cutting through the bank of two or three hundred yards would make it permanent. Well, what's the matter with that?"
"Saw him before you did," retorted Phemie pertly. But here a pushing of chairs and shuffling of feet in the kitchen checked her. Clementina fixed an
Mrs. Harkutt shaded her eyes with her hand, and gazed meditatively on the floor before the fire and in the chimney corner for her only son, baptized under that historic title. "He was here a minit ago," she said doubtfully. "I really can't think where he's gone. But," assuringly, "it ain't far."
"He's skipped with one o' those story-books he's borrowed," said Phemie. "He's always doin' it. Like as not he's reading with a candle in the wood-shed. We'll all be burnt up some night."
"But he's got through his chores," interposed Mrs. Harkutt deprecatingly.
It is to be regretted that in brilliancy, finish, and even cheerfulness of quality they were not up to the suggestions of the keys and keyboard. The most discreet and cautious effort on the part of the young performer seemed only to produce startlingly unexpected, but instantly suppressed complaints from the instrument, accompanied by impatient interjections of "No, no," from the girl herself. Nevertheless, with her pretty eyebrows knitted in some charming distress of memory, her little mouth half open between an apologetic smile and the exertion of working the bellows, with her white, rounded arms partly lifted up and waving before her, she was pleasantly distracting to the eye. Gradually, as the scattered strains were marshaled into something like an air, she began to sing also, glossing over the instrumental weaknesses, filling in certain dropped notes and omissions, and otherwise assisting the ineffectual accordion with a youthful but not unmusical voice. The song was a lugubrious religious chant; under its influence the house seemed to sink into greater quiet, permitting in the intervals the murmur of the swollen creek to appear more distinct, and even the far moaning of the wind on the plain to become faintly audible. At last, having fairly mastered the instrument, Phemie got into the full swing of the chant. Unconstrained by any criticism, carried away by the sound of her own voice, and perhaps a youthful love for mere uproar, or possibly desirous to drown her father's voice, which had unexpectedly joined in with a discomposing bass, the conjoined utterances seemed to threaten the frail structure of their dwelling, even as the gale had distended the store behind them. When they ceased at last it was in an accession of dripping from the apparently stirred leaves outside. And then a voice, evidently from the moist depths of the abyss below, called out,-
"Is any one down there? Is that you, Mr. Parmlee?" she called.
There was a pause. Some invisible auditor said to another, "It's a young lady." Then the first voice rose again in a more deferential tone: "Are we anywhere near Sidon?"
"Thank you," said the voice. "Can we land anywhere here, on this bank?"
Not a word had been spoken, but now the voices of the men rose freely together. Phemie listened with intense expectation. The explanation was simple. They were surveyors who had been caught by the overflow on Tasajara plain, had abandoned their horses on the bank of Tasajara Creek, and with a hastily constructed raft had intrusted themselves and their instruments to the current. "But," said Harkutt quickly, "there is no connection between Tasajara Creek and this stream."
The two men laughed. "There is NOW," said one of them.
"But Tasajara Creek is a part of the bay," said the astonished Harkutt, "and this stream rises inland and only runs into the bay four miles lower down. And I don't see how-
"Then there's a waterway straight to Tasajara Creek?" he said slowly.
"There is, as long as this flood lasts," returned the first speaker promptly; "and a cutting through the bank of two or three hundred yards would make it permanent. Well, what's the matter with that?"
"Saw him before you did," retorted Phemie pertly. But here a pushing of chairs and shuffling of feet in the kitchen checked her. Clementina fixed an
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