A Darkness at Sethanon

A Darkness at Sethanon by Raymond E. Feist Page B

Book: A Darkness at Sethanon by Raymond E. Feist Read Free Book Online
Authors: Raymond E. Feist
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recently departed, but only a few worshipped with regularity. In centuries past, the followers of the Death Goddess had practised bloody rites, including human sacrifice. Over the years these practices had moderated and the faithful of Lims-Kragma had entered the mainstream of society. Still, past fears died slowly. And even now enough bloody work was done in the Death Goddess’s name by fanatics to keep her temple tainted by a patina of horror for most common men. Now a band of such common men, with perhaps a few uncommon ones hidden among them, was being marched into that temple.
    Arutha stood silently by the entrance to the inner sanctum of the Temple of Lims-Kragma. Armed guards surrounded the antechamber while temple guards in the black and silver garb of their order filled the inner temple. Seven priests and priestesses stood arrayed in formal attire, as if for a high ceremony, under the supervision of the High Priest, Julian. At first the High Priest had been disinclined to participate in this charade, but as his predecessor had been driven past the brink of insanity by confronting the agent of Murmandamus, he was sympathetic to any attempts to balk that evil. Reluctantly he had agreed at the last.
    The prisoners were herded forward, toward the dark entrance. Most held back and had to be shoved by spear-wielding soldiers. The first band contained those judged most likely to be members of the brotherhood of assassins. Arutha had grudgingly agreed to this sham, but had insisted on having all suspected of being Nighthawks in the first batch to be ‘tested’, in case the deception was revealed and word leaked back to the other prisoners being held.
    When the reluctant prisoners were arraigned before the altar of the Goddess of Death, Julian intoned, ‘Let the trial commence.’ At once the attending priests, priestesses, and monks began a chant, one that carried a dark and chilling tone.
    Turning to the fifty or so men held by the silent temple guards, the High Priest said, ‘Upon the altar stone of death, no man may speak falsehood. For before She Who Waits, before the Drawer of Nets, before the Lover of Life, all men must swear to what they have done. Know then, men of Krondor, that among your number are those who have rejected our mistress, those who have enlisted in the ranks of darkness and who serve evil powers. They are men who are lost to the grace of death, to the final rest granted by Lims-Kragma. These men are despisers of all, holding only to their evil master’s will. Now they shall be separated from us. For each who lies upon the stone of the Goddess of Death will be tested, and each who speaks true will have nothing to fear. But those who have sworn dark compacts will be revealed and they shall face the wrath of She Who Waits.’
    The statue behind the altar, a jet stone likeness of a beautiful, stern-looking woman, began to glow, to pulse with strange blue-green lights. Jimmy was impressed, as he looked on with Laurie. The effect added a strong sense of drama to the moment.
    Julian motioned for the first prisoner to be brought forward and the man was half dragged to the altar. Three strong guards lifted him up onto the altar, used ages past for human sacrifice, and Julian pulled a black dagger from his sleeve. Holding it over the man’s chest, Julian asked simply, ‘Do you serve Murmandamus?’
    The man barely croaked out a reply in the negative and Julian removed the dagger from over the man. ‘This man is free of guilt,’ intoned the priest. Jimmy and Laurie exchanged glances, for the man was one of Trevor Hull’s sailors, ragged and rough looking in the extreme, but above suspicion and, judging from the performance just given, not a mean actor. He had been planted to lend credibility to the proceedings, as had the second man, who was now being dragged to the altar. He sobbed piteously, yelling to be left alone, begging for mercy.
    Behind an upraised

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