21st Century Science Fiction

21st Century Science Fiction by D B Hartwell Page B

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Authors: D B Hartwell
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about the three thousand schoolchildren who had sung the national anthem to our new divine monarch. While my father lay in bed, delirious with pain, the papers told us that China had signed a rubber contract that would triple revenue for Luang Namtha province and that Nam Theun Dam was now earning BT 22.5 billion per year in electricity fees to Thailand. But there were no bloody batons, and there were no dead monks, and there was no Mercedes-Benz burning in the river as it floated toward Cambodia.
    Real news came on the wings of rumor, stole into our house at midnight, sat with us and sipped coffee and fled before the call of roosters could break the stillness. It was in the dark, over a burning cigarette that you learned Vilaphon had disappeared or that Mr. Saeng’s wife had been beaten as a warning. Real news was too valuable to risk in public.
    Here in America, my page glows with many news feeds, flickers at me in video windows, pours in at me over broadband. It is a waterfall of information. As my personal news page opens, my feeds arrange themselves, sorting according to the priorities and tag categories that I’ve set, a mix of Meung Lao news, Lao refugee blogs, and the chatting of a few close friends from Thailand and the American college where I attended on a human relief scholarship.
    On my second page and my third, I keep the general news, the arrangements of
Milestone
, the
Bangkok Post
, the
Phnom Penh Express
—the news chosen by editors. But by the time I’ve finished with my own selections, I don’t often have time to click through the headlines that these earnest news editors select for the mythical general reader.
    In any case, I know far better than they what I want to read, and with my keyword and tag scans, I can unearth stories and discussions that a news agency would never think to provide. Even if I cannot see into the black hole itself, I can slip along its edges, divine news from its fringe.
    I search for tags like Vientiane, Laos, Lao, Khamsing, China-Lao friendship, Korat, Golden Triangle, Hmong independence, Lao PDR, my father’s name. . . . Only those of us who are Lao exiles from the March Purge really read these blogs. It is much as when we lived in the capital. The blogs are the rumors that we used to whisper to one another. Now we publish our whispers over the net and join mailing lists instead of secret coffee groups, but it is the same. It is family, as much as any of us now have.
    On the maelstrom, the tags for Laos don’t even register. Our tags bloomed brightly for a little while, while there were still guerrilla students uploading content from their handsets, and the images were lurid and shocking. But then the phone lines went down and the country fell into its black hole and now it is just us, this small network that functions outside the country.
    A headline from Jumbo Blog catches my eye. I open the site, and my tablet fills with the colorful image of the three-wheeled taxi of my childhood. I often come here. It is a node of comfort.
    Laofriend posts that some people, maybe a whole family, have swum the Mekong and made it into Thailand. He isn’t sure if they were accepted as refugees or if they were sent back.
    It is not an official news piece. More, the idea of a news piece. SomPaBoy doesn’t believe it, but Khamchanh contends that the rumor is true, heard from someone who has a sister married to an Isaan border guard in the Thai army. So we cling to it. Wonder about it. Guess where these people came from, wonder if, against all odds, it could be one of ours: a brother, a sister, a cousin, a father. . . .
    After an hour, I close the tablet. It’s foolish to read any more. It only brings up memories. Worrying about the past is foolish. Lao PDR is gone. To wish otherwise is suffering.
    • • • •
    The clerk at Novotel’s front desk is expecting me. A hotel staffer with a key guides me to a private elevator bank that whisks us up into the smog and heights. The elevator

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